Cherry Audio Releases Pro Soloist Synthesizer

video upload by Cherry Audio

The British Stereo Collective - "Ghosts in the Machine," featuring Cherry Audio's Pro Soloist

video upload by Cherry Audio

""Ghosts in the Machine" by The British Stereo Collective. ALL sounds (including percussion) were played by hand exclusively on Cherry Audio's Pro Soloist virtual instrument. No other synths were used in this recording.

Composer, artist, and producer Phil Heeks of The British Stereo Collective draws his inspiration from classic 70s/80s TV theme compilations, film soundtracks, and sound effects LPs of the era. Read more about Phil's various projects and links to his work at https://cherryaudio.com/videos/excerp..."

Introduction to Cherry Audio's Pro Soloist - Hosted by Tim Shoebridge

video upload by Cherry Audio

"To get users up and running with Pro Soloist, Cherry Audio and Tim Shoebridge of Sound Mangling have again teamed up to create an introductory tutorial video walking users through the extensive features of this iconic virtual synthesizer instrument."

Cherry Audio Pro Soloist: A detailed demo/tutorial of a prog rock and 1970s classic

video upload by CatSynth TV

"We take a detailed look at the new Pro Soloist from Cherry Audio, a recreation of the ARP Pro Soloist that became in mainstay in 1970s prog rock as well as a featured instrument in funk, electronic music, and more. We look at the features from the original, including the front-panel "paddle" presets and the unique touch sensor effects. We then take a deep dive below the hood into the enhanced features for directly editing the individual modules and parameters of the underlying synthesizer architecture (including the resonators) and explore the onboard effects section. Finally, we look at a few of the factory presets, including banks from INHALT and Vintage Vibes by James Dyson.

This instrument was developed in collaboration with Mark Barton, who was also behind the Novochord and Solovox instruments that we at CatSynth have enjoyed.

To find out more, please visit cherryaudio.com

"Pro Soloist is the latest in Cherry Audio's roster of ultimate 'what if?'
virtual instruments. Featuring the precision crafted and circuit-modeled DSP designs of award-winning developer Mark Barton, Cherry Audio's Pro Soloist goes beyond emulating the treasured, preset-based monophonic analog synth originally released by ARP in 1972. Pro Soloist not only exactingly reproduces the expressive controls, 30 infamous presets, and the unique underlying architecture of this prog rock classic, it breaks it out of its cage by making it fully programmable and expanding it with full polyphony, splits and layers, a mod matrix, integrated studio-quality effects, and more."

00:00 Introduction
00:25 History of the Arp Pro Soloist
01:23 Overview of the Cherry Audio Pro Soloist
02:21 Original front-panel presets
08:35 Global controls
09:35 Touch Sensor Effects
16:00 Edit Mode
16:59 VCO
18:59 VCF
21:53 Resonator bank
23:53 Modulating the resonator bank with the mod matrix
26:45 Effects panel
34:46 Multi-layer mode
38:08 Factory Presets
42:18 Vintage Vibe expansion bank
43:44 Conclusion"

Press release follows.

"Cherry Audio releases the highly anticipated Pro Soloist, the latest in its growing line of authentic classic synth emulations. This Pro Soloist breaks out of its cage with fully programmability, expanded polyphony and dual layers, an arpeggiator, a mod matrix, studio-quality effects, and more.

PRESS RELEASE - November 21, 2023: Cherry Audio is thrilled to release the highly anticipated Pro Soloist, the latest in its growing line of authentic emulations of classic synthesizers. Featuring the precision-crafted and circuit-modeled DSP designs of esteemed developer Mark Barton, Pro Soloist goes far beyond reproducing the expressive controls, 30 presets, and the unique architecture of this 1972 classic. Most significantly, Cherry Audio breaks Pro Soloist out of its cage by making it fully programmable and expanding it with full polyphony, splits and layers, an arpeggiator, a mod matrix, integrated studio-quality effects, and more.

Early analog synthesizers were a mystery to most working musicians. In 1972, ARP Instruments released the Pro Soloist, one of the first commercially successful preset-based synthesizers. Pro Soloist featured a revolutionary electronic design and feature set, most notably its innovative "touch sensor" keyboard (now commonly known as aftertouch), where pressing a note harder introduces changes to the sound, allowing highly expressive playing. The Pro Soloist was a hit with acts as varied as Tangerine Dream, Gary Numan, Herbie Hancock, Styx, Prince, Parliament, and Vangelis. Perhaps best remembered was Tony Banks, who amplified the Pro Soloist's legendary presets in epic keyboard solos for the legendary band Genesis.

Cherry Audio has received countless requests to reproduce this oft-forgotten gem — one of those came from frequent collaborator Mark Barton (GX-80, Novachord + Solovox, Miniverse, and others). With unparalleled attention to detail, Mark has created an authentic reproduction of the analog signal path along with the 30 original presets, and together we have substantially expanded the Pro Soloist's capabilities. Cherry Audio has added a dual-layer voicing architecture, with 16 polyphonic voices per layer, that enables two different presets simultaneously, with independent panning for rich stereo timbres and complex sounds. Pro Soloist also includes a split keyboard mode and a brilliant “Last Note” option that effectively simulates polyphonic aftertouch using monophonic-aftertouch controllers.

Pro Soloist's distinctive three-panel interface makes clear that this is far more than a preset synth. Cherry Audio has precisely recreated the look and sounds of the original paddle presets in its main Performance mode panel. In Edit mode, we've exposed all of its unique analog synthesis architecture parameters, most notably, the fully-variable, five parallel bandpass filter "Resonator Bank," key to the Pro Soloist's realistic acoustic orchestra timbres. Additionally, we've revealed the LFO and ADSR/AR envelopes and elevated the sound design possibilities with a "Super Wave" oscillator and a robust six-slot modulation matrix. The Arp/FX panel rounds it out with a syncable arpeggiator and a dozen studio-quality effects for distortion, phaser, flanger/chorus, echo, and reverb.

In short, Cherry Audio has elevated the Pro Soloist from a bare-bones monophonic lead synth into a massive, polyphonic powerhouse beyond anything imagined 50 years ago.

Pro Soloist also features 450 presets created by an extraordinarily talented team of sound design veterans, including James Terris, INHALT, Drew Schlesinger, Huston Singletary, and Mark Barton. More captivating sounds are available in the Vintage Vibes Preset Pack (sold separately) by James Dyson. With additional touches such as Cherry Audio's acclaimed MIDI mapping functions, highly optimized DSP for optimal performance, and a visually immersive interface, Pro Soloist will satisfy both vintage synth aficionados and today's music producers.

A mint condition and serviced Pro Soloist can easily fetch $2,500 or more these days, and its unique architecture makes MIDI retrofits impossible. Cherry Audio is thrilled to introduce this virtual and expanded Pro Soloist at the jaw-dropping price of only $49 (list $69), obtainable now from cherryaudio.com and authorized resellers worldwide. Pro Soloist is also available as part of Cherry Audio's new and comprehensive Synth Stack 4 collection. This ultimate sonic package includes all 22 of Cherry Audio's virtual instruments to date at an unbelievably affordable price, on sale for a limited time.

Pro Soloist is available in AU, VST, VST3, AAX, and standalone formats for Windows (7 or above, including Windows 11) and macOS (10.13 and above), including native support for Apple Silicon. A free 30-day demo is available. Visit cherryaudio.com for additional product details, system requirements, videos, and an extensive collection of awe-inspiring sound demos."

Preview: The Sounds of HARMONIA from Cherry Audio

video upload by Cherry Audio

"From the team that brought you Dreamsynth and Sines comes HARMONIA, Cherry Audio's most innovative and original virtual synthesizer instrument yet.

Preview of just some of the over 350 astounding presets included with Harmonia, including an excerpt from a demo track by Cherry Audio's Director of Sound Design, James Terris."

SEQUENTIAL TRIGON-6 DESKTOP -new analog SYNTH beast! (SOUNDS DEMO, no talking)

video upload by FutureMusic.es

"The powerful TRIGON-6 DESKTOP polyphonic synthesizer brings a modern module version of the well-known authentic classic analog design – and pay attention to its MPE expressiveness!

[ESP] El potente sintetizador polifónico TRIGON 6 DESKTOP aporta una versión moderna en módulo del ya conocido diseño analógico clásico auténtico –¡y atención a su expresividad MPE!

Multitrack demos by Peter Dyer and Drew Neumann. All sounds recorded directly from TRIGON-6 DESKTOP, with only occasional light limiting and no additional processing. Special thanks to the entire sound design and audio demo team, including Peter Dyer, Drew Neumann, Julian Pollack, Matia Simovich and James Terris."

GX-80 Fantasia | Cherry Audio

video upload by Cherry Audio

"Somewhere in the Multiverse, an alternate Cherry Audio might release its flagship GX-80 as a hardware synthesizer. Perhaps this is what androids dream of?

In our universe, GX-80 is Cherry Audio's visionary virtual synthesizer, available now! Combining the unparalleled sound and features of Yamaha's fabled GX-1 "Dream Machine" and its renowned descendant, the CS-80, GX-80 is a transformative virtual instrument blending the essence of two groundbreaking classics to create a powerhouse hybrid.

To all of the fans and friends of Cherry Audio and the GX-80, HAPPY HOLIDAYS! Thank you for making GX-80 our most successful release to date by far. Stay tuned; we're just getting started!

CREDITS:
• 3D Modeling and Renders - "GX-80, The Nostromo Edition": by Mikko Niiranen // Nirude (Thank you!) - https://www.youtube.com/@niiranen
• Music: "Arriving Departure," composed entirely with GX-80, by James Terris, Cherry Audio Sound Design Team Leader - https://www.terrissounddesign.com/
• Original GX-80 design: Mitchell Sigman, Cherry Audio Lead Designer - http://mitchellsigman.com/
• Video edit: Robert Saint John, Cherry Audio Director of Marketing"

Introducing the Sequential Trigon-6 - The Last Synth Worked on by Dave Smith

video upload by Sequential

Update: Soundcloud demos added below.

"The Trigon-6 is Sequential’s take on the classic, thick and creamy, 3-oscillator-plus-ladder-filter analog sound that defined the dawn of the synth era. It’s a sound that bridges genres and styles — now refined and redefined with Sequential’s own modern imprint. The Trigon-6 shares the same critically acclaimed knob-per-function panel design and form factor as Sequential’s Prophet-6 and OB-6 — forming a true power trio of modern workhorses for studio and stage.

Visit Sequential.com for more information."

Sequential Trigon-6: A First Look at Dave Smith's Last Synth

video upload by

"The Trigon-6 delivers a Moog-style "3-oscillators-through-a ladder-filter" punch, a rare style from Sequential, and one that sets the Trigon-6 apart from the rest of the 6 series."

And the press release via Sequential:

Sequential Introduces Trigon-6 Analog Poly Synth, Featuring 3 VCO-plus- Ladder Filter Sound Engine

New Instrument Boasts Bold, Timeless Sound and Popular Prophet-6/OB-6 Form Factor

San Francisco, CA – November 17, 2022 – Sequential LLC today announced the Trigon-6, a new, 6-voice analog synth that features the company’s unique take on classic 3-VCO-plus-ladder-filter tone in a modern polyphonic instrument. The Trigon-6 was designed by the Sequential team and was the last design that Dave Smith contributed to. “Dave Smith was very excited about the Trigon-6 and we believe it continues his legacy as a synth creator,” said Sequential CEO David Gibbons.

The Trigon-6 features three newly-designed, discrete voltage-controlled oscillators per voice, with simultaneously selectable waveshapes (triangle, sawtooth, reverse sawtooth, and variable-width pulse). The 2- and 4-pole ladder filter design with feedback and drive puts Sequential’s own stamp on the classic transistor ladder filter sound that has proven its appeal since the dawn of the synth era. Analog voltage-controlled amplifiers complete the analog signal path.

“Our new VCOs and filters give the Trigon-6 a tremendous amount of warmth and presence,” said CEO David Gibbons. “The classic, big, punchy analog ladder filter tone is all here — but with some unique enhancements of our own. The addition of drive and feedback allow for a wider palette of sounds than is typical, while still retaining the ability to dial back the aggression to achieve sweet, creamy tones just as easily.”

The Trigon-6 takes inspiration from its acclaimed stablemates, the Prophet-6 and OB-6, borrowing their form factor and easy-to-navigate knob-per-fuction panel design. Also present is the much-loved Poly Mod section, also with enhancements. Modulation sources are filter envelope and oscillator 3 (both with bi-polar control). Destinations include oscillator 1, 2, and 3 frequency, oscillator 1, 2, and 3 pulse width, low-pass filter cutoff, and feedback. Another welcome reprise is Unison mode, which features configurable voice count (1-6 voices) and key modes.

The knob-per-function front panel is free of menu-diving, offering immediate access to virtually all parameters. Toggling off the Preset switch enables live panel mode, in which the sound of the instrument switches to the current settings of its knobs and switches. “We wanted to make the Trigon-6 as fast and easy to navigate as possible,” said Senior Product Designer Andrew McGowan. “Switch off Preset and what you see is what you hear.”

A dual effects section provides studio-quality reverbs, delays (including modeled digital and analog types), chorus, flanger, phase shifter, and ring modulation. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. An independent stereo distortion is also provided and is 100% analog.

Additionally, the Trigon-6 features a multimode arpeggiator and a polyphonic step sequencer with up to 64 steps (and up to 6 notes per step) plus rests. It allows polyphonic keyboard input and can sync to external MIDI clock.

The full-size, four-octave, premium, Fatar semi-weighted keyboard is velocity and aftertouch sensitive. “We made size a primary concern on the Trigon-6. We think it’s an ideal mix of portability and power,” said CEO David Gibbons. “Best of all, it sounds amazing. Musicians are going to love it.”

The Trigon-6 is available now with a US MAP of $3,499. Price and specifications subject to change.

https://www.sequential.com/2022/11/trigon-6-analog-poly-synth/

Sequential · Trigon-6 Audio Demos

"Trigon-6 audio demos. All sounds recorded directly from the Trigon-6, with only occasional light limiting and no additional processing. Special thanks to the entire sound design and audio demo team, including Peter Dyer, Drew Neumann, Julian Pollack, Matia Simovich and James Terris.

Multitrack demos by Peter Dyer and Drew Neumann:

Peter Dyer
- Boss Hog + Divulgent
- Fortune Favor
- Keep Away
- Mushy Peas
- Stomp

Drew Neumann
- BaliDreams
- NoFrets
- TaikoPlusPerc

For more information, visit:
sequential.com/product/trigon-6"

Retro Cinema VIbe on the Groove Synthesis 3rd Wave

video upload by james terris

"All 3rd Wave for synths and drums. I did use the UAD Lexicon 224 on the snare, as well as compression, gentle EQ and Mastered with BX Masterdesk."

3rd Wave Multitrack Demo - James Terris

video upload by Groove Synthesis

"“Retro Cinema” multitrack demo. Programmed, performed, and recorded by James Terris. All sounds by 3rd Wave — including the drums. Contact us: info@groovesynthesis.com for questions or sales@grovesynthesis to pre-order."

https://www.groovesynthesis.com

Oberheim OB-X8 Preset Demos

video upload by james terris

"I'm always reluctant to post something in prototype form. When I had this unit it was sonically pretty close. Obvious at a glance are the knobs and 3D printed bender box levers. The synth itself sounds great and such a dream to play with a nice modern key bed."

See the OB-X8 announcement post here for additional demos and details.

THE OBERHEIM OB-X8 HAS ARRIVED

video upload by Oberheim Official

"For the first time in over 40 years, a legendary analog synth sound returns.

The OB-X8 combines the three different voice architectures of the classic OB-X, OB-Xa, and OB-8 synths into a single incredible instrument. The individual filter types and other unique characteristics of each model have been faithfully reproduced, along with an uncompromising 100% analog signal path, giving you the most authentic and satisfying OB experience possible.

Oberheim is BACK!"

Oberheim OB-X8 INHALT Sound Design Demo No Talking

video upload by INHALTVIDEO

https://inhalt.bigcartel.com

"My history with Oberheim runs deep. Probably the most important synthesizer for me was the Oberheim OB-8. I connected deeply with its melancholic and midnight music sounding tone which matched very well what I was doing with INHALT at the time. But never to be beguiled by softer emotions, the flick of the unison switch instantly took the OB-8 into an aggressive "body" music. It was the perfect writing tool due to the even tone across all octaves and the fact that its intrinsic musicality was unavoidable. Around the time I got the OB-8 I also got a vintage 2 Voice (thanks for restoring that one Chok) and both were heavily used on many records that I made. Those were my MVP's for many years.

When I received the call from my colleagues at Sequential that not only was a new Oberheim in the works, but that it was to be THE Oberheim, I couldn't wait for the beta testing and sound design to start. And when the prepro unit arrived, I knew that the newly reborn and official Oberheim company, in tandem with the team at Sequential, created something incredible. Something so comprehensive, deep, detailed, featured and yet immediate and simple, with no possibility of making a bad sound. Every sound I made sounded exactly as it should, and they ALL embodied that unmistakable Oberheim sound. That magic that is often imitated but never accomplished. Until now.

I'm not going to get into specs, those have been already covered everywhere, but I will say this: as someone that has used all of the "big" Oberheims, and that has made many records in commercial studios with the OB-8 and a vintage 2 Voice, I can definitively say that this Oberheim does all of those sounds and more. Its charisma changes from filter to filter and it seamlessly traverses from X, Xa to 8 with the Page 2 voice offset and vintage knob, but it ALWAYS sounds like the genuine Oberheim that it is. This incredible team, that I've had the pleasure of working with, has created something that might possibly be the ultimate polyphonic analog synthesizer. And I can't wait to use it on the many upcoming projects at Infinite Power Studios.

This is a recording I made of many of the patches I created for Oberheim and the shipping factory library that will come with the synth.

Please note, the OB-X8 in the video is a prototype unit and I recorded this with a beta firmware. As such, while the synth was largely done there were some changes both to the panel and to the OS that are in the final shipping version (obviously). The OB-X8 was recorded straight into Pro Tools HD and no post processing or fx were added. What you're hearing is the raw synth."

The Sound of the Oberheim OB-X8 - Julian "J3PO" Pollack [custom knobs on this one]

video upload by J3PO

"Oberheim has released a new synthesizer--the first in many decades--the OB-X8. It is a faithful recreation of all three of the classic OB-series synthesizers in one: the OB-X, the OB-Xa, and OB-8. It is an incredible synth.

In this video, you will hear a bunch of presets I created for the OB-X8. Some of my sounds will be included factory with the OB-X8 while most of these presets will appear in a presets pack I will release soon (check www.j3po.net for the release of my official sound bank). This particular unit is an early prototype with non-production knobs. The final production units will look slightly different.

It is important to note that the OB-X8, like the original OB's from back in the day, does NOT contain any onboard effects. In this video, I used some external reverbs and delays to give certain presets the ambience and resonance they deserve. Light compression and limiting was applied for the purpose of uploading to YouTube and balancing the sounds."

Update: Oberheim OB-X8 Preset Demos

video upload by james terris

"I'm always reluctant to post something in prototype form. When I had this unit it was sonically pretty close. Obvious at a glance are the knobs and 3D printed bender box levers. The synth itself sounds great and such a dream to play with a nice modern key bed."

And the press release:

Oberheim Returns to Operations and Releases Its First New Synth in 35 Years

San Francisco, CA – May 9, 2022 – In a momentous industry development, Oberheim Electronics, one of the most venerated names in synthesizer design, has announced its return to operation to meet the rising global demand for its instruments.

Today, the company is launching its first new product, the OB-X8: an eight-voice polyphonic analog synth that combines all of the key features of the legendary OB-X, OB-Xa, and OB-8 products from the 1980s – including all the original presets that gave them their signature sounds.

“I wanted to come back strong with a new design that brings together the sounds of the greatest instruments from across the OB range, together with the distinctive sound and styling of those synths,” said Tom Oberheim. “But we took it even further. You can now combine the various OB voice architectures in ways that produce unique and interesting new sounds and capabilities.”

Originally founded by Tom Oberheim in 1969, Oberheim Electronics created ground-breaking products that fueled the electronic music revolution throughout the 1970’s and early 1980’s. After ceasing operations in 1985, these instruments attained near-mythical status, with highly prized vintage models selling for many times their original price on the secondhand market.

Since that time, Tom Oberheim had created a handful of limited-production instruments and co-designs with various partners under other names. But in a recent significant development, he regained control of the Oberheim trademarks and IP, and now, in partnership with Focusrite PLC, has decided to once again introduce new products under the Oberheim brand name for first time in more than 35 years.

“I’ve always had a very optimistic outlook on our industry and the future in general. I felt that one day, when the time was right, Oberheim would return. A big part of this was the fact that so many musicians have contacted me over the years to ask how to get hold of an original Oberheim. So when I finally reacquired the Oberheim name, it was clear that the time was finally here,” said Oberheim.

The catalog of artists associated with the original products is long, and includes innovators like Prince, Van Halen, and Herbie Hancock. For many, it was much more than just an instrument. A handful of A-list artists such as Trent Reznor, creative force behind Nine Inch Nails, and Golden Globe, Academy Award, and Primetime Emmy-winning composer got pre-release previews. “When I was shown the new OB-X8, I was immediately impressed with the forensic level of detail that went into its design and the respect for its lineage,” remarked Trent. I will be making room in my studio for one and I’m excited more people will be able to experience this classic instrument.”

Creating a new company out of thin air was no small feat. “I’m excited to work with my old friend and audio industry innovator Marcus Ryle, along with some other members of the original Oberheim team again,” said Tom. “And thanks to an exclusive partnership with Focusrite group company Sequential LLC, we have the ability to design, manufacture, distribute, and support new instruments on a global scale.”

For Marcus Ryle, one of the inventors behind the ADAT, the QuadraSynth, and Line 6 guitar amps and effects, this represents closure of sorts: “Synths were my first love and the reason I entered this industry. Tom hired me when I was 19, and I feel lucky to have been a part of the Oberheim design team during its glory days. Now, a whole new chapter in the story of analog synthesizer-based music is about to get written.” Dave Smith, founder of Sequential and himself a legendary figure in synth history, also collaborated with Marcus (an Oberheim team member from the 1980s) and Tom to create the new product. “We’ve already developed other interesting design ideas with Tom for follow-up products that will allow us to take Oberheim into the future as a synth brand,” commented Smith. “It’s a very exciting time to be a musician.”

The OB-X8 eight-voice analog synthesizer will be available at the end of June with a US MAP of $4,995.

For more details visit www.oberheim.com.

About Oberheim
Oberheim is the 21st century return of the legendary company that helped fuel the electronic music revolution. Now, just as then, Oberheim is guided by the vision of engineer and inventor, Tom Oberheim. Tom’s genius for innovation introduced the world to the first commercially available poly synth and other groundbreaking electronic instruments that literally changed the sound of music. Today, Oberheim reawakens this legacy by bringing the famed Oberheim sound to a new generation of instruments and artists. The company’s passion remains unchanged by time or technology — to once again provide the world with the finest-sounding analog synthesizers ever made. Oberheim brings its products to market with the help of the Focusrite organization and renowned synth maker, Sequential."

OBERHEIM OB-X8 SPECIFICATIONS

• 8-voice, pure-analog polyphony with saw, square/pulse, triangle, and noise
• Two discrete SEM/OB-X-lineage VCOs per voice deliver classic punchy Oberheim tone
• Discrete SEM-lineage VCFs deliver authentic OB-X-style tone and presence
• Genuine Curtis filters add bold OB-Xa/OB-8 character
• Meticulously modeled envelope responses match each OB model: OB-X, OB-Xa, and OB-8
• The 61-key FATAR velocity- and touch-sensitive keyboard allows unparalleled expression and responsiveness
• Bi-timbral capability allows two presets simultaneously for splits and doubles
• 400-plus factory programs, including the full set of factory sounds for the OB-X, OB-SX, OB-Xa, and OB-8
• Integral, fanless, heatsink-free power supply
• Real walnut end cheeks
• High-resolution OLED display enables patch management and easy access to advanced features
• Classic Oberheim Pitch and Mod levers allow expressive note bending, vibrato, and access to arpeggiator functions

ENHANCEMENTS
• Additional SEM filter modes add high-pass, band-pass, and notch functions to the classic OB-X filter
• Vintage knob allows variable amounts of voice-to-voice variability to emulate the behavior of vintage instruments 
• Velocity sensitivity adds expressiveness to volume and filter 
• Channel Aftertouch adds real-time performance-based modulation
• Enhanced unison allows variable voice stacking from 1-8 voices
• Variable triangle wave cross-modulation
• Over 600 user-programmable preset locations
• Programmable per-program pan allows wider stereo presence
• Variable oscillator and noise levels

INS & OUTS
• Stereo and Mono outputs
• Volume, Sustain, and Filter inputs
• Arpeggiator clock input
• MIDI In, Out, Thru
• USB
• Dimensions:
• Weight: 32.5 lbs
• Dimensions: 40.5” L x 16.67” W x 5.87” H

CLICK FOR MORE »

The 80s DREAMSYNTH by Cherry Audio

video upload by Cherry Audio


video upload by Starsky Carr

"A first look at Cherry Audio's novel Dreamsynth. Imagine you're back in the 80s looking at an impenetrable D50 interface and wishing you could afford a Jupiter 8... here we've got an Oberheim style state variable filter, virtual analog oscillators or PCM Samples or single cycle samples, single shot cycles... you get the point,. Plus a really intuitive interface."

Description for the top video:

"Cherry Audio's Dreamsynth is a tribute to the celebrated hybrid analog/digital synthesizers of the mid-to-late 1980s. The innovative design blends flexible dual-wave morphing oscillators, stereo filters, a fully polyphonic string synthesizer, extensive and easy-to-use modulation, studio-quality effects, and MPE support, all in an elegant vintage-style synth interface.

Cherry Audio's Dreamsynth synthesizer is available now at cherryaudio.com and authorized resellers worldwide for the incredibly low price of only $39!

DREAMSYNTH FEATURES
- Innovative design blends flexible dual-wave morphing oscillators, stereo filters, analog strings, extensive modulation, studio-quality effects, and MPE support, all in an elegant vintage-style synth interface
- Three dual-waveform oscillators, amounting to six simultaneous virtual analog or PCM sample-based oscillators with up to 16 voices of polyphony
- Authentically modeled virtual analog waveforms, plus 430 looping, one-shot, and single-cycle PCM waveforms
- Fully polyphonic 16-voice string synthesizer can be layered and split independently of the primary synth
- Three tempo-syncable LFOs
- Arpeggiator, independently assignable to synth or string sections
- OB-style 12 dB/octave multimode stereo filters
- Extensive and accessible modulation: 20 mod sources and over 40 destinations, including effects
- Effects include distortion and sample-crushing, 12-stage phaser, chorus, flanger, rotary speaker, delay, and reverb, including the new "Galactic" reverb algorithm
- Support for MIDI Polyphonic Expression (MPE) -- Pitch, Channel Pressure, and Timbre -- making Dreamsynth capable of more organic and expressive performances when using MPE-compatible controllers
- A massive library of over 1100 presets from a wildly talented and diverse group of sound designers including James Terris, Katharine Fountain aka FOUNTAINS, Julian Pollack (J3PO), Julie Kathryn (I AM SNOW ANGEL), Huston Singletary, Mark Wilcox, Dave Polich, Joseph Holiday, Agent Method, and Venus Theory

Dreamsynth is available in AU, VST, VST3, AAX, and standalone formats, for macOS and Windows. It includes native support for Apple's M1 processor and is fully compatible with macOS 12 Monterey. A free 30-day demo is available. Visit cherryaudio.com for additional product details, system requirements, and an expansive collection of awe-inspiring sound demos."

Take 5

video upload by james terris

"Short demo of the patches I created for Sequential."

See here for the announcement post.

Ambient Pulse

james terris

"I recorded this when I was doing sound design for the Prophet~5 Rev 4. Yes, it has FX, but I decided to share it because I think it still demonstrates the synth's beautiful pulse wave and new expressive capabilities. Meris Mercury 7 reverb and OTO Machines BIM delay"

Prophet 5 Rev 4 Unison Lead

james terris

"A quick clip demonstrating Unison Mode while using the 'Vintage' knob to nicely detune the voices."

Ambient Pulse

james terris

"I recorded this when I was doing sound design for the Prophet~5 Rev 4. It was originally intended to be just for myself and personal archive. Yes, it has FX, but I decided to share it because I think it still demonstrates the synth's beautiful pulse wave and new expressive capabilities."

Sequential Prophet~5 Sound Design by James Terris

james terris

"Sequential Prophet~5 Rev 4 Patches by James Terris

Check out all my patches on SoundCloud:"

James Terris · Prophet 5 Demos

Pro 3 Sound Design by James Terris

Also see: Dave Smith Instruments "In The Spotlight with the Pro 2" with James Terris

Dave Smith Instruments "In The Spotlight with the Pro 2" with James Terris

The fourth in Dave Smith Instruments' "In The Spotlight with the PRO 2" series is currently up with James Terris here.

"Growing up in a small Northern California town where most bands played Reggae, Country, or College Rock was challenging for synth player and electronic musician James Terris. His very first synth was a Sequential Circuits Six-Trak sequenced from a Commodore 64, which he used to hone his skills as a composer, synthesist, and sound designer. In 1994 an unexpected turn of events led him to join and help develop the successful tribute act, Super Diamond. While not exactly a foreseen career, it proved to be an enjoyable and lucrative project that tours nationally to this day. James has kept his love of electronic music alive through musical side projects, working as a sound designer, and by occasionally supporting classic 80’s artists such as Howard Jones, Curt Smith (Tears For Fears), Dave Wakeling, Naked Eyes, and more. He has contributed sounds for many of DSI’s products, including the Pro 2."

You can find previous posts featuring DSI's Spotlight series here.